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In many conversations about art, linear perspective is presented as the way we really see. In fact, no one but a one eyed person, standing stationary, staring directly at the horizon ever sees as art is presented by linear perspective. If you doubt me take a number of photographs of a scene or person, and assemble them as David Hockney has in his Polaroid collages, and you will see how the slightest turn of the camera changes perspective.
Studying Hockney’s photo-montages, what are the strengths and limits of art constructed by linear perspective?
Post your response of approximately 450 words,